Category Archives: Song For Today

Courage & Humanity on 9.11.01

Here is a 9/11 story of a ‘friend’ that was in the tower that morning.  This is a powerful survivor’s account of courage and humanity on such a tragic day in US history.

Quite a few people have asked me quite a few times to post about my experiences on 9/11. A few months afterward, I was seeing a counselor for a while, and she told me to write it out like a journal entry. According to her, it would help me deal with things. So this is what I wrote.

*************
Warning: I’m going to try not to jump around, but I may a little bit, because I had quite a few blank spots during that morning. I put some of what I did together later, after speaking to two women I crossed the Brooklyn Bridge with, Doris and Hanna. I’ve been watching a few documentaries lately, so I’m going to try a similar timeline approach to try and keep things straight.

September 11, 2001

6:00AM – My alarm goes off. Mike has an early pick-up that has to go way the hell out on Long Island. He tells me to go back to sleep because I don’t have to be in the office until 9:30; I tell him I’m going in early because I’m meeting my supervisor Maria at 8:45. She is going to teach me a new job function, and I want to have time to eat my breakfast outside by the Orb sculpture on the WTC Plaza. He rolls his eyes at me before he kisses me good-bye, and dashes off. I lounge for a while, watching the TODAY show before I jump in the shower at 6:30, leaving the TV blasting loud enough to hear the weather. According to Al Roker, it’s going to be a gorgeous day.
7:15AM – Well, Al was right; it is a stunning day. Clear skies, sunshine, and a light breeze. The N train is actually on time for once, and I even get a seat! I’ll be at work in no time; and since I have a seat, maybe I’ll just stay on the local and not even bother with the express.

8:15AM – Cortlandt Street-World Trade Center. I have plenty of time. I stop and browse in Barnes and Noble, on the underground Concourse level. Maybe I’ll come down on lunch and pick up a book. They have a huge sci-fi section, so the selection is really pretty good. Oh, damn, where did the time go? It’s getting late; no breakfast on the Plaza now if I want to meet Maria in time. I have to switch elevators at the 44th floor, so I’ll just run down the escalator and grab something in the cafeteria on the 43rd floor on my way up to the 49th.

8:40AM –Damn, but this French toast smells heavenly! The woman in front of me on line is digging for exact change. A man behind me sighs heavily. I turn to look at him and shoot him a “grin and bear it” sort of look. He rolls his eyes and silently grins in response. The woman drops her handful of change. The grinning man helps her pick it up, as my hands are full with my tray. The cashier rings up my order, and I pay. I hear a distant rumble, like a freight train. The cashier absently wonders aloud, “What’s that noise?” as she hands me my receipt. I notice that the time on the receipt is 8:45AM. Damn, I’m late to meet Maria.

8:46AM – There is a huge noise, and I stagger and fall, french toast flying. As I pick up my head, the floor actually ripples, and through the floor-to-ceiling windows, I see WTC 2 sway. Then I realize that our building is swaying. Not just swaying, whipping back and forth, like an old car antenna. There is a shower of shiny stuff cascading past the windows; I realize that it is glass. I get to my feet as debris begins to fall past the high windows, some of it burning. I walk towards the windows. My first thought is that a chopper has missed the helipad, but already too much stuff is coming down for it to be a chopper. Jesus, maybe it’s a Cessna. More and more debris is plummeting past the windows, and people are screaming. I lean against the window and look up to see something large coming down, aflame. It looks vaguely like a La-z-boy recliner. It seems to float past in slow motion, and as it disappears below me, in a moment of horrible clarity, I realize it is an entire row of airline seats. They are occupied. I hear a voice, and turn to see the grinning man. He isn’t grinning any more. Debris is raining past the windows now, and a snowstorm of paper is floating by. He looks at me and very matter-of-factly says, “I was here in ’93. I can’t do this shit again. I’m outta here.” And he bolts towards the emergency stairwell. It’s right near the cashier’s station, and I hadn’t even realized it was there. I follow him as he enters the stairwell, but I stop at the door. It is already crowded in there, and I can’t make myself go in. A building security man is there. “C’mon, lady, we gotta go!” I can’t make myself enter the stairwell, and I shake my head and back up. “Lady! We gotta GO!” he shouts at me. “I CAN’T!” I scream back. “There’s too many people, and no AIR!” I am not entirely rational at this point. My claustrophobia is kicking in. A very large man stops at the door, and comes back to our little standoff. The security man barely glances at him. “Miss, I can’t leave until the last person is out, you’re the last, let’s GO!” The large man very softly says to me, “Miss, he’s only doing his job. Help him do his job. Come on, now.” And he takes my hand. “I’ll stay with you.” He waved the security man away, and walked me towards the door. At the threshold, I balk, planting my feet. He slips a hand to the back of my head, grabs a handful of hair, and yanks me into the stairwell. I am highly pissed off, and he’s hurting me, so I start calling him every filthy name I can think of. He drags me towards the first flight of stairs leading down. I can’t stop now without being trampled. He lets go of my hair, takes my hand again, and smiles at me. “That wasn’t so hard, was it? You just needed to get started. My name is Guy. What’s yours?” I start to cry, and tell him my name. He talks to me all the way down 43 floors, asking me all kinds of questions. By the time we hit the 30’s, I find myself telling him that my first anniversary is at the end of the month, and about our wedding, and about my sisters, and my husband, and how I have such a nice Mother-in-Law, and oh, God, did Maria get out? Firefighters are passing us, headed upwards. I can see terror in their eyes, but some of them actually manage to joke with us as they pass. Somewhere in the 20’s, I think it was 26, there was water cascading out of the fire door on the landing, and it was shin-deep on me all the way to the teens. I realized that Guy was quite a large man, well over 6 feet tall, because the water doesn’t come up much past his ankles. In retrospect, we actually moved down quite quickly, but at the time it seemed to take forever.

Approximately 9:00AM – Upper Lobby. Plaza Level. Cops and firefighter are everywhere. There is a line of cops along where the windows at street level used to be. Glass is crunching underfoot; it’s all over the place. There are cops at the stairwell door, directing us underground to the concourse level. I am really not interested in going underground. All the cops are shouting to be heard. “Do not try to exit the building here! Don’t look outside, keep going down! You’ll be led out to Cortlandt Street!” The stench is incredible. Of course, despite instructions not to, everyone looks out at the Plaza as they head down to the Concourse; it is a wasteland. Debris covers everything, even the Orb. There are bodies scattered like leaves, along with chunks of the building itself, and pieces of fuselage, and the smell of blood and jet fuel is overpowering. As I get to the top of the powerless escalator, clutching Guy’s hand, another jumper hits. I realize I am repeating “oh Jesus, oh Jesus, oh Jesus” over and over, and I clamp my mouth shut. We cross the lower Lobby towards the revolving doors that lead to the shopping concourse beneath the Trade Center. The sprinkler systems are still on down here. In the background, there is another rumble.
9:03AM – We are crossing through the propped open revolving doors on the concourse level when there is an enormous, booming crash, and we almost lose out footing. Remnants of glass stuck in the frames of the lobby windows suddenly let go and crash down around us. Guy wraps me in his arms and hunches over, protecting me. A large shard of glass falls from the frame of the revolving door and wedges itself into his back. I hear someone screaming, and I realize it’s me. There are screams from the Upper Lobby. “Another one! Holy shit, another one!” The second plane has struck WTC 2, the South Tower. A man runs over, taking his shirt off. “Guy!! Holy Jesus, Guy, I’ve been looking all over for you, don’t move, lemme pull this out…” Apparently he works with Guy, but I never caught his name. He wraps his shirt around his hands and yanks the shard of glass out of Guy’s back. I realize that the glass would have struck me if not for Guy. The three of us follow the crowd through the concourse. It looks as though it has been abandoned for years; chunks of glass litter the floor, discarded high heel shoes are all over the place, and there is about 3 inches of water flowing steadily from the lower level of WTC 1 towards the subways. The Barnes and Noble sign hangs crazily down, attached by only one bolt. Beneath it, mingled with the remnants of the front windows on the floor is what remains of the Anne McCaffrey display that caught my eye on the way in. “Keep moving! Head for Cortlandt Street!” The NYPD and PAPD are lining the route through the concourse and up the steps of the subway exit. As we hit the street level, the sun blinds me, and I trip. Guy hauls me up, and drags me across the street and up the block, towards St. Paul’s Chapel. We pause for breath in the middle of the block, and look back, and up. Oh, sweet Jesus, I’m sorry I looked; both towers are burning. The South Tower is hit much lower than the North, and my first though is that the top section of the building will fall over. We bolt up to Broadway, and presumed safety. We pause at the chapel, and collapse onto the curb with scores of others. A cop rushes over to tell us to clear the area. “Sorry, people, you have to keep going. Head north, go uptown, go over the bridge, just GO!” Guy asks me if I will be all right; he wants to go and try to find more of his colleagues. I tell him yes, and ask him which way to go to get to the Brooklyn Bridge. All I want is to go home. He points me towards the Bridge, and asks me again if I’ll be okay. We hug, both of us crying, and I thank him over and over. He and his friend disappear into the crowd, and I never see him again. I don’t even know his last name, or what company he worked for.

(I don’t remember much about this part; I put it together later on. I have no recollection of calling my sister-in-law, but I know I spoke to her from a barbershop, because apparently, I told her that’s where I was, and that the nice lady in the barbershop gave me some water. I couldn’t get through to Mike, and asked her to try.)

I walk up Broadway, looking for a pay phone; Mike must be frantic by now. The lines at all the pay phones are 20 and 30 people long. There aren’t any bars open yet, either. I am not too sure how far I went looking for a phone, but I do remember waving a $50.00 bill around, asking people to use their cell phones. No one had service.

The next conscious memory I have, is of being on the Brooklyn Bridge, walking with two women, Hanna and Doris. They work together at the Chase Bank on Broadway. Hanna is giving me sips of tea from a takeout cup. It is about 9:45AM, which means I wandered a bit after getting out of Tower 1. From here on out, my timeline is fuzzy.

(According to the phone conversation I had with Hanna three days later, I was on the pedestrian ramp to the Brooklyn Bridge itself, when I walked up to her and Doris and said, “I’m lost. Can you tell me where the Brooklyn Bridge is? I’m really lost, and I want to go home now.”)
We continue across the bridge, walking slower than most, along the inside railing, because Hanna is in her 60’s and not as nimble as she used to be. We come across a tall, slim, black girl, model pretty, who is limping along on a pair of heels. We ask if she needs help. She had foot surgery the day before, and just wore the heels for looks in the cab she took to work, so she could put on her bunny slippers when she got there. “I don’t even own a pair of flats!” She doesn’t want to take the shoes off, to avoid getting her foot dirty. I tell her to ditch the damn heels, and offer her my sandals. I go barefoot most of the time anyway, so it’s not a problem. She resists at first, until Doris gives us all a reason to want to move a little faster. “I don’t want to scare anyone, but it occurs to me that we’re standing on a big frigging target here! Could we move this along? Tall Girl, I don’t know your name, but put the fucking sandals on, and let’s get the hell out of here!” Tall Girl puts on my sandals, and now that she is off the heels, she can walk faster. We end up getting separated in the crowd, and lose her. We hear a distant rumble, and I look up, praying I don’t see another plane. People behind us begin to scream, and we look back to a surreal sight: The top of Tower 2 is sliding sideways. The top section actually tilts at a crazy angle before it begins to crumble, and we see the rest of the building start to give way beneath it. People begin to run on the bridge, and we duck behind a support beam to keep from being trampled. There is a gray cloud billowing through lower Manhattan.
(At this point I apparently began to lose touch with reality again, because I don’t remember walking the rest of the way across the bridge. According to Hanna, I started babbling inane questions, asking, ”where are all the cameras? This can’t be real, someone’s shooting a movie. If they’re shooting a movie, shouldn’t there be cameras? These special effects are awesome, Jesus, all these extras must be costing Speilberg a fortune.”)

Reality again. We come to the foot of the Brooklyn Bridge. Apparently some of the debris caught up with us on our way over, because I am clutching a tea-soaked tissue and breathing through it. There are ambulances and a couple of fire trucks at the bottom of the pedestrian ramp. Someone is calling out, “Miss? Miss! Hey! Barefoot girl!” It is Tall Girl. She is sitting on a gurney near one of the ambulances, having her foot attended to, and waving wildly with my sandals. “I got the right one all bloody, but the fireman washed them off for you!” I step into my slightly soggy sandals and tall girl hops up and hugs me. “Thank you so much!” We survey the area, and try to figure out where to go next. An extremely young fireman walks over to us with a bucket. “Okay, ladies, let’s get you rinsed off.” He motions us toward one of the trucks. “We’ve got an open hydrant over here, so you can rinse off some of that muck.” I realize that we are all lightly coated with a gritty dust. We take turns dumping bucketsful of icy water over our heads to get rid of the grit. My blouse is filthy, and it suddenly feels as though I have been eating dust by the spoonful, so I dump a couple more buckets over my whole body, and I gargle a bit for good measure. The fireman tell us there are no trains running on this side of the river, but there might be busses by the Courthouse complex, so we head off. When we get there, the lines for the shuttle busses are literally thousands of people long, and confusion is rampant. Doris wanders off to see if there is a bus to Canarsie for Hanna. “Don’t go anywhere yet!” she says. I ask a passing cop for directions to walk to Bay Ridge. She has no idea. “I honestly don’t know, hon, I just got off a bus from the Bronx! Lemme ask someone.” She motions over an ambulance attendant. He’s not too sure, “but it’s in that general direction”, he says, pointing vaguely. Doris comes running back. “Hanna! I found a shuttle to Canarsie, and they’re taking senior citizens first!” We pelt over to the bus, hug Hanna and get her safely on board. She sticks her head out the window, and screams to Doris, “Call me when you get home!” Doris & I start to walk, checking pay phones on the way.
They all still have lines. About two hours later, we’re in a quiet residential neighborhood, and a woman watering her lawn tells us we’re in Bensonhurst, about two blocks from the intersection of McDonald & Church. I realize my father works not too far away. I ask to use her phone. “It hasn’t worked all morning, but you’re welcome to try.” She brings out a portable phone and a pitcher of iced tea with too much sugar. It is the most delicious thing I have ever had in my life. First I tried to call Mike; “This call can not be connected at this time.” Fuck ATT anyway. I get one of the “office girls” at my father’s job. “Hi, I need to speak to Carmine, please; this is his daughter.” “OH MY GOD”, she screams, “IS THIS ADRIANN?” “Yeah, is he there?” “Hold on honey, I’ll get him!” The phone clunks down, and I can hear her screaming to the rest of the office, “We found her, we found her, she’s on the phone, we found her, go get Bear!” I start to giggle. We have now been surrounded on this woman’s porch by some of her neighbors. “Honey? Are you okay? Where are you?” I have never been so glad to hear a voice in my entire life. I start to sob, and all I can say is “oh, Daddy” over and over. We’re all crying, and Doris is hugging me. The iced tea lady takes the phone, and tells my Dad to meet us at McDonald & Church, and she shows us the way there, and waits with us for my Dad. He finally pulls into the intersection, tires screeching, jumps out of the car, and runs to me, sobbing as hard as I am. Meanwhile, the car is in the middle of the intersection. A traffic cop wanders over, realizes what is going on, gets into the car and pulls it out of the intersection. We hug iced tea lady, and Doris & I pile into the car with Dad. Turns out that if we had made a right turn three miles ago, I would have been home by now. We take Doris to her house, which is a block away from my Dad’s job, and we stop in there so the office girls can see I’m okay. I leave them my home number so they can keep trying to call Mike for me, and we head to my place. They must have gotten through, because when we turned the corner, all our neighbors were out, and Mike came pelting up the block to where we parked. I have never been held quite so tightly, and I have never been so happy to see anyone, ever. We went upstairs to see if we could get through to people on the phone. Mike had the TV on, and my father – who doesn’t drink – went straight to the liquor cabinet. I felt grungy, so I went to take a shower. It turned out to be the first of many. I kept swearing that I could smell that horrible stench from the plaza. When I came out, the TV was showing the collapse of Tower 1 – my tower. It was the first time I heard that both towers were down. I went back to the bathroom and threw up. Mike got me settled on the couch with Daddy and a cup of tea. Then he listed everyone who called. “Franny, my mother, your sister Daria, – who is fucking nuts, by the way. Her husband called her from 14th St, and she told him to go downtown and find you, and that if he didn’t, not to bother coming home. He called me, asking where he should look. I told him to go home. Who else? My sister, your brother is on his way with his wife and some Chinese food, Caren, your job doesn’t know where you are, Maria and Crystal are okay, and ToniAnn is at the MidTown office, Joe & Laura, Jimmy, Mary, both Colleens, and some girl from Canada named CC.” “Who?!?” “CC. She said she knows you from on-line, at the bridal site.” “Are you fucking kidding me?” “No, I’m not kidding you; she was one of the first people to get through. Here’s her number, call her back, if the damn phone is working.”

I can’t remember when I called CC back; it might have been the next day, but I seem to remember it being later that evening. I called my job to check in and get my name off the casualty lists. There was supposed to be a large breakfast meeting in Windows on the World that morning, but one of the Japanese execs missed his flight out of Tokyo the night before so it was cancelled. We would have had the entire senior staff at the meeting, over 100 people, but thanks to a slow cabdriver in Tokyo, they all made it. As it was, we had personnel in both towers, and we lost 29 people, all from Tower 2, the South Tower.

So that’s pretty much it, I guess.

 

The song ‘America’ fits in here nicely, so I will post this video from a Ryan Star fan that speaks volumes of that day.


No Bullshit or Blowin’ Smoke……

No bullshit or blowin’ smoke ever from Ryan Star.  A promise to fans on twitter follow him @RyanStar http://twitter.com/#!/ryanstar and he delivered.  Great new song, can’t wait for more.  Hopefully this single drops soon and gets picked up on radio.  I hear from rstar fans on twitter that it’s being played on some stations.  The Pulse http://www.siriusxm.com/thepulse on Sirius love Ryan and I keep listening hoping to hear soon….perhaps we can all request it!

Ryan’s on tour with Andy Grammar right now.  Catch a show, dates here http://www.rstar.net/tour-dates/

More links to check him out!

www.rstar.net

http://www.facebook.com/#!/ryanstar

Happy Family Day Weekend and/or President’s Day depending on if you are north of south of the US/Canadian Border.

~Lila


Song for Today – Standing on Ceremony

Summer ended with two gifts from Florence + the Machine. The pre-release of two singles from their newest album, Ceremonials. First was What the Water Gave Me, second was Shake it Out (shared here).

It’s been almost two months. Today Ceremonials dropped. Right into my iTunes and on to my iPod. Further reflection is needed, of course, but at cursory listen, the album promises to be a Bjork-ish fest of Flornce Welsh’s impressive vocals and dreamy orchestration.

Lila has promised me that our upcoming road trip (11:59: Take Goo, just over one week countdown!) will feature the album as we embark on our adventure. Musically, it seems fitting for change and moments you don’t want to take for granted. A good play.

So, this is to be continued – our collective thoughts on Florence’s newest offering and how the memories associated from the road played out. Stay tuned…

And, of course, listen along. Download Ceremonials: http://www.florenceandthemachine.net/index


New Music – Stay A While

Finally an upload of the *new song* Ryan Star is performing while on tour with the Goo Goo Dolls.

Enjoy, I did.

~Lila


Song for Today – Three Way

Lila says I’ve been obsessing over the Sucker Punch soundtrack lately. She’s probably right. That’s what we do. Hear a song, or a group of songs and obsess over them. Interesting side note – Emily Browning, who plays Baby Doll in the movie also sings on the soundtrack. A feat I truly admire (I’ve been a fan of the Australian actress since watching Lemony Snicket’s Series of Unfortunate Events with the oldest Little Beat). Plus, she sings the songs well – for those keeping record, she is featured on Sweet Dreams (Eurythmics cover), Asleep (The Smiths cover) and Where is My Mind (Yoav performs, Emily is features – it is a Pixies cover).

Perhaps that is why I enjoy this soundtrack – there are a great number of cover songs and remixes. Bjork’s Army of Me remix being one of my favourites – although both Lila and I copped to having the Queen remix on our running list.

 Where is My Mind is the Song for Today. I’m serving up three versions – the original Pixies version, a Placebo cover (sigh, Placebo.. memories of my 20s) and the Yoav cover featuring Emily Browning. I’m still undecided which version I prefer over the others. Right now, it’s an equalized obsession. Listen and drop thoughts of your own.

Where is My Mind – Three Ways

Pixies

From the Surfer Rosa album, circa 1988. The original good.

Placebo

From the Sleeping With Ghosts disc, circa 2003.  It was a bonus track – a great bonus.

Yoav, Featuring Emily Browning

Obviously, the most recent, from the Sucker Punch soundtrack.  Side note – this isn’t the first time the Pixie’s song has been featured in film.  Most people will remember it best after the original Pixies version was featured on the Fight Club soundtrack.

Just for the sake of interest, apparently Arcade Fire has also covered this song in 2007, although I’ve yet to find a version.  Kings of Leon (who I’ll be seeing with my favourite Frenchie in October) also covered the song in many of their concerts in 2010.

Happy Listening!


 


Peace out Jack…..

I have few words today in the passing of Jack Layton, a fine fine Canadian. You gave us the ‘great leap forward’ and we thank you.

Billy Bragg’s ‘Waiting for the Great Leap Forwards’


The Condiment Struggle

I have a hard time seeing Smashing Pumpkins and any early 90′s Grunge as retro.  It dates me, and you know what I am female please don’t date me, that’s rude.

Smashing Pumpkins are far from my favourite from that era, but I don’t think anyone will contest that they were an integral part of the scene.  I always thought of Billy Corgan as a smug twit and perhaps that influenced my medicore love of the Pumpkins.  I followed them, but I did not FOLLOW them.  I’m sure someone (like Betty Beat) knows what I mean.

Mayon(n)aise is my song for today.  Why?  Because I hit shuffle and it was the first song/artist that came up that hasn’t been blogged before by myself or Betty.  The title makes me sad.  Not on a ‘want to slit my wrist level’, but on a ‘I’ve developed an egg allergy in the last two years and can never eat it again’ level.  Mayon(n)aise is a delightful condiment.  I hearted the Hellman’s (Miracle Whip is not Mayon(n)aise) up until it started to break me out in hives and close up my throat.  The song, oh yeah the song.  It makes my Top Ten for off-the-wall titles spelled without the second ‘n’.  There is so much substance and richness in the song.  I read that Billy said the lyrics have no meaning that the song was just thrown together.  I call bullshit, there’s that smugness that I see in him.  Bullshit your lyrics don’t mean anything, but I digress.

The song is one that takes on meaning for the individual, much like many songs. I see it as an internal struggle much like the condiment again.  Mayon(n)aise is on the inside of the sandwich and it compliments but almost struggles smashed between the bread the meat and the cheese, it is more a lube than anything.  Mayon(n)aise the 9th of 13 songs on Siamese Dream is that lube that holds the album together, in my opinion, perfectly placed and helps establish the collection of songs as a perfect mix.  Siamese Dream doesn’t need a ‘shuffle’ setting, it’s one of those albums that was thought out and put together as album and not just thrown together.  Oh the lost art of the album.  Sigh.  Mayon(n)aise is in the right spot, the song itself struggles with being a ballad with it’s guitar riffs, but it is a ballad nonetheless and mayonnaise the condiment will leave the tang to Miracle Whip and the bold to mustard, they are both destined to be mellow


Song for Today – When Covers Go Wrong

It’s no secret that I have a penchant for a good cover song. Currently, Grace Potter & the Nocturnals’  White Rabbit is a near constant feature on my iPod.

(find GPN’s White Rabbit cover here: http://www.youtube.com/watch?v=1Vy1OoBAL-E )

It’s also no secret that my job can be somewhat… mundane. I mean, looking at more than 100 cars every two hours leads to a lot of time spent in your own head. Additionally, when you work around people who love music the way you do, conversation often turns to all things music.

Today, Sean B. (fellow musical aficionado and oft-mentioned music friend) and I were discussing a good “Song for Today”. Which ended up with our discussing the covers-that-should-never-have-been. You know, when an artist you love covers a song so badly you try to pretend that track never existed? Or when a song you really loved gets covered by a one-hit-wonder trying to make it a chart topper (again), banking on nothing more than our nostalgia and the fact we often know all the words?

I wanted to pick Black Eye d Peas, Dirty Bit, since they destroyed any semblance of happy nostalgic goodness I had from Dirty Dancing soundtrack’s Time of my Life. Sean pointed out it’s merely a sample or remix at best, not a true cover. Fair point. Our Top 5 was fairly easy to come up with, even without this addition.

So, here it is. A combined Top Five Worst Cover Songs for Today (and I reserve the right to add/remove the Top 5 at any given time, depending on my mood).

Number Five 

Smashing Pumpkins, Landslide

I love the Pumpkins. I do. I’ll admit it. I’ve been a big fan since my early, early teens (or “tween” as it’s so aptly called now). But Landslide? No. And I give all the credit to Sean B. for introducing me to this atrocity. Without him, I’d still be in my happy world where the Smashing Pumpkins did no wrong.

Sigh. I feel disenchanted. Minor blip on the Pumpkins’ success. But it’s really bad, so it had to go on the list.

Number Four

Sheryl Crow, Sweet Child o’ Mine

“Music I heard on a Soundtrack Once” for 100, Alex. What does it have going for it? It was marketable (well, Crow was marketable). It was also nothing original. Boring. But not so terrible that I wanted to punch Sheryl Crow in the face for it. Minor fail.

(Taken by Trees does do a decent cover of Sweet Child, just to note that I don’t hate all covers)

Number Three

Avril Lavigne, Basket Case

Okay, let’s look past the bad key, the bad singing and, well, the overall crap of it. We’ll even ignore the “radio version”ness of her omitting the “bad” words. How about the fact that Avril was all of 10 when Green Day released the song (as part of their third studio album)?

All unforgivable sins. Fail.

Number Two

Foxes in Fiction + Weeds, Teenage Dream

Why this sucks: first of all, it’s a cover of a song I hate that was done originally abhor; secondly, it’s just… bad. I once sent this to someone fully knowing it was terrible. Luckily, this person is pretty smart and heartily agreed (although they went on to mock me incessantly in the future for shitty music tastes…. I think they’re kidding.. mostly).

I even chanced upon this song – picking it up off of Blalock’s Indie Rock Playlist (now BIRP!). I thought, maybe, just maybe, someone improved on an already pretty shitty song done by Katy Perry (have I mentioned I dislike her?  Yes? Oh, let me say it again…). No. If anything, they made it worse. I’m always amazed at life’s possibilities.

Sizable Fail.

Number One

All Saints, Under the Bridge

What happens when you take a Girl-Band-trying-to-bank-on-Boy-Band-successes and a classic Chili Peppers song?

You get All Saints covering Under the Bridge.

There are no words. It’s all kinds of bad and worse. Anthony Kiedis summed up my thoughts well in his reaction: “It was kind of funny, they looked so pretty and clean; they looked like they didn’t know what they were singing about.”

And, like my Number Five choice, my guess is? They didn’t. The song was chosen because it did well and they probably heard it on their ghettoblasters a few times. Aww. Pretty girls singing about.. nothing. Cute.

Clueless doesn’t negate that this is… Epic Fail Number One.

Feel free to share your Best of the Worst. As always, a special shout-out to Sean B. for getting me through another two hours of car-watching and helping me compile the list.


Song(s) for Today – Anticipation

It’s the shortest countdown I’ve ever done (and if you know me, you know I usually count down everything).

One day. Just one. Tomorrow Lila and I will hit Sound Academy in Toronto to see Ben Harper. Grace and the Nocturnals (who we both adore) are opening. We have some amazing people to keep us company and we’re going to spend our afternoon pretty-ing up and hitting the town.

Some will call it crazy – much like the No Sleep ‘Till Brooklyn escapade. Hell, I’ve even been called somewhat irresponsible for a multitude of reasons. And it’s all good. And so worth it.

So, the songs for today are pretty obvious. Ben Harper’s latest from his new album, Don’t Give Up ‘Til it’s Gone and a favourite from Grace and the Noctunrals.

Concert debauchery notes to follow, I’m sure. Stay tuned.

Don’t Give Up on me Now, Ben Harper

 Paris, Grace and the Nocturnals (the first song I heard from this band and immediately loved):


Sister Love

Hesta Prynn likes to run. Seriously, she told us so. Lila, of course, confessed that she listens to Hesta’s music while running. I copped to listening to it while walking, seeing as it was winter and my desire to run in the winter doesn’t exist.

The Hesta Prynn Music Obsession is a direct by-product of that now infamous, but yet to be blogged about, NYC No Sleep Required adventure. Although, her Pepper cover was indeed on heavy rotation prior to the Webster Hall show, seeing Hesta Prynn live leaves anyone with half an ear an the ability to hear wanting more. And the more keeps coming, much to my delight. In fact, the Turn it Gold video came out almost immediately after our NYC No Sleep ‘Till Brooklyn (or Jersey) trip. It was like Christmas. Maybe more like finding a Christmas gift that you had forgotten to open a month after Christmas and feeling secret and indulgent delight when you tear into the paper.

Almost as much as Hesta Prynn’s music is a delight, her videos add something to the music that I often take for granted with other artists. Unlike my counterpart, Miss Lila, and as we’ve already pointed out here, I’m less of a visual listener. Lila is. But when it comes to Hesta Prynn’s videos, I do have voyeuristic tendencies. More on those videos later.

Yesterday a new video was released. Seven Sisters. Lila and I have been anticipating this release, since we both follow Hesta Prynn and Randy Scott Slavin (director) and noted with interest still shots and talk of the clown from Slipknot.

Admission: Seven Sisters wasn’t on my radar from Hesta. I was more of a Can We Go Wrong and Turn it Gold listener. Actually, the CD from the Webster Hall show didn’t have Seven Sisters on it. I was oblivious.

Uh, yeah. What was I missing?

So, yesterday the video drops. Lila and I immediately notify each other. We watch with interest – this isn’t the Hesta Prynn I’m used to. It’s a bit darker. The video has the hallmarks of a good B-movie thriller. It’s macabre vibe all over. The Clown from Slipknot? He’s creepy in a “I’m edgy at the idea of being alone in any isolated place with you – oh, wait, Hesta Prynn is…” way.

But it’s the song that gets me. Perhaps it’s the 90s-Poe-era vibe that is making me nostalgic. But I love this song. Like the video, it seems a darker, lonelier side to Hesta Prynn, letting the listener know that not everything has an up beat when you listen to her.

Sidenote: The original Poe album, Hello, was my introduction to independent female musicians. I’ve listened to Poe’s Hello more times than I care to admit. Seven Sisters is reminiscent in vibe to Poe’s Hello, I think. It’s probably just the similarity in notes, but these two songs spent the night intertwining in my head. Note the similarities to the tile track, find Poe’s Hello here: http://www.youtube.com/watch?v=befAwVNfkj4

Also, kudos to Sean B. for validating the thought that Seven Sisters has the same sound and vibe as Poe. It absolutely made my day after dropping into a chair beside him to have him take a listen to Seven Sisters (since I’m forever shoving music at him), know that he hasn’t heard it before (which is uncommon, since Sean hears everything) and have him give voice to the immediate thought I had a few hours before when I first heard it: Seven Sisters is very Poe-esque. But better, since it leaves out the typical 90s electronica and brings in an edginess that Poe never had. I think Hesta Prynn is like what Poe should have wanted to be.

All this aside, the whole point of today is to share the new video for Seven Sisters. Well played, Hesta Prynn (and Randy Scott Slavin for another awesome video and the Clown from Slipknot for giving me good creeps).

Seven Sisters

(photo courtesy of HP's FB - go follow her!)

Click to play (photo courtesy of Hesta Prynn’s FB – go follow her!)

 


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